《麥克風的第三對象：引力的聲場》以聲音作為思考與感知的方法，探討人與場域之間的「引力」如何在行動中被生成，而非被動地接受。作品構築出一個由主體—場域—麥克風所形成的動態三角，其中「第三對象」即是進入裝置的身體。每一次起跳與落下的瞬間，透過感測與聲波轉化為低頻共振，使空間不再只是被動播放的載體，而成為由身體行為所驅動、持續被改寫的聲學場域。
作品關注「引力」如何在關係中被喚起，而非地方對人的單向召喚。連續的彈跳行為導向一種內外雙向的聆聽：向外，傾聽地景與此刻的聲束；向內，感受心跳、呼吸、骨傳導與回彈的流動。身體生成聲音，聲音反照身體，聆聽成為自我與外在共振的實踐。展呈以單人入場與聚光方式進行，使感知專注於「跳躍—聆聽—書寫」的連動歷程。牆面投影以短句與提問交替，成為語意與心理的節拍，提供一個可被身體即時書寫的聲學結構。
The Third Object of the Microphone —— The Acoustic Field of Gravity
Yujun Wang
The Third Object of the Microphone: The Acoustic Field of Gravity employs sound as a method of thinking and perception, exploring how “gravity” between the human body and its surrounding field is generated through action rather than passively received. The work constructs a dynamic triangle of subject–site–microphone, in which the “third object” is the body entering the installation. Each leap and landing is captured by sensors and transformed into low-frequency resonance, turning the space from a passive site of playback into an acoustic field continuously activated and rewritten by bodily movement.
The work investigates how gravity is awakened through relation, rather than as a one-way pull of place upon the human. The continuous act of jumping leads to a mode of bi-directional listening: outward—attuning to the soundscape and the sonic texture of the present moment; inward—sensing the pulse, breath, bone conduction, and rebound moving through low frequencies. The body generates sound, and sound mirrors the body in return—listening becomes a resonant practice between the self and the external world.Presented as a single-participant installation under focused light, the work concentrates perception on the continuum of jumping–listening–writing. Texts and questions projected on the wall alternate as semantic and psychological pulses, forming a rhythm of thought and awareness. The installation offers an acoustic structure that can be inscribed and rewritten by the body in real time.
雙頻道錄像聲音即時生成互動裝置 Two-channel video and sound interactive installation
雙頻道同步投影Dual synchronized projections
四聲道指向性喇叭four-channel directional speakers
即時生成互動聲音裝置real-time generative sound system
2025
影像文字 Visual Text｜王榆鈞 Yujun Wang
影像設計 Visual Design｜李國漢 Li Kuo-Han
互動程式設計 Interactive Programming Design｜杜易昂 Iang Tu